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The term "English walled garden" conjures up different emotions to people, but featuring heavily within this acre site is a mixture of Sissinghurst, Great Dixter and a bit of Hidcote.A sunken garden with a central pool has mixed borders around it.A formal garden is surrounded by high yew hedges and planted only with daisy-type flowers, starting with doronicum in spring and ending the year with asters and single chrysanths.
The three scenes of the inner triptych are probably (but not necessarily) intended to be read chronologically from left to right. The central panel is a broad panorama of socially engaged nude figures, fantastical animals, oversized fruit and hybrid stone formations.
The right panel is a hellscape and portrays the torments of damnation.
Art historians frequently interpret the painting as a didactic warning on the perils of life's temptations.
Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of paradise lost. Beagle describes it as an "erotic derangement that turns us all into voyeurs, a place filled with the intoxicating air of perfect liberty".
There are a few fruits now turning red and an odd one that is almost black; when they're squidgy they are at their sweetest.